Film gridlock free#

The French organist and teacher Gabriel Fauré is the protagonist for the final curtain call of La Belle Époque, and his most serene Requiem will be performed by the Orchestre des Champs-Elysées. This concert will be directed by Gabriella Teychenné, the young English conductor who was recently described in The Guardian as creating on stage “exactly the right mix of wildness and virtuosity.” The Orchestre will be accompanied on stage by the Santa Cecilia Choral Society. On Good Friday escape to Teatro Mayor to hear the Paris-based Orchestre Des Champs-Élysées and the period instrument interpretations of Ravel and Debussy. This concert also includes works by Walter Donaldson, Joe Jekyll and George Gershwin. As the recipient of the prestigious Diapason d’Or Award, Canadian Marc-André Hamelin will perform 12 Preludes by Claude Debussy and four works by Maurice Ravel, including Gaspard de la Nuit based on poems for piano by Aloysius Bertrand.įrench pianist Alexandre Tharaud will also deliver a recital on April 6 (4:00 pm) at Teatro Mayor titled “Journey to Modernism”, and musical tour-de-force in lesser-known works of La Belle Époque by composers Satie, Ravel and Debussy. This morning concert (11:30 am) at Teatro Mayor headlines as “The Spirit of Spain” and will be accompanied by the talented musicians of the Youth Philharmonic of Colombia.Īnother “not-to-be-missed” concert is a piano recital by Marc-André Hamelin on April 5 at Teatro Mayor. On Thursday, April 6, Spanish violinist Leticia Moreno and conductor Adrian Chamorro will perform Bizet’s Carmen Suite No.1, as well as works by Pablo de Sarastre and Éduardo Lalo. The cultural transformations of La Belle Époque not only took European capitals by storm but reshaped the artistic landscape of the continent. For this edition, France, Spain, Germany, Canada, Austria, Hungary, United Kingdom, Switzerland and United States are represented. The Festival, which takes place every two years, and has been organized since 2013 by the Teatro Mayor Julio Mario Santo Domingo invites world renowned vocalists, chamber ensembles, orchestras and dance companies to the Colombian capital, and a unique opportunity of guest musicians to exchange experiences with the Colombian counterparts. Titled “En Prière: French sacred music for prayer,” this noontide concert on Thursday, April 6, includes sacred works by late 19 th-Century composers Francis Poulenc, Camille Saint-Saëns, Gabriel Fauré, Ernest Chausson, Joseph Guy Roparz and Maurice Duruflé.

Film gridlock free#

The festival takes place on 16 stages in the city and includes nine free concerts, including one at the Primary Cathedral of Bogotá with the youth choir Schola Cantorum. If you’re one of the lucky ones who will avoid traffic gridlock in and out of Bogotá during the Easter holiday week, and prefer to indulge in the great cultural offering the capital has on offer, then, we’ve updated some of the concert highlights, and unforgettable performances of the VI International Classical Music Festival of Bogotá, dedicated to La Belle Époque.Īs the curtain rises at Teatro Mayor with the opening concert on Wednesday, April 5, featuring German singer Ute Lemper, over three concert-filled days, audiences will be able to hear outstanding artists and interpretations of the composers who defined La Belle Époque, among them Claude Debussy, Maurice Ravel, Gabriel Fauré and Camille Saint-Saëns. Although, within “gridlock” it is difficult to gauge how Mark Schoonmaker would handle a longer story, it also shows more optimism towards seeing what he can do within a longer production, then deter from pushing past the short film format.Orchestre Des Champs-Élysées / Photo: Arthur Pequin. Ultimately, the script does show room for improvement, but this rests more in the format, that asks the viewer to construct a greater story surrounding the single scene that is presented. However, the dialogue is still well presented, and outside of feeling familiar, is hard to offer much critique.

The script for the production is rather minimal. The visual presentation feels on par with bigger productions, and gives the short film a certain level of expertise which stands as its greatest attribute. Throughout the short film, the camera work remains pretty impeccable, transitioning well between each of its subjects to best highlight the dialogue and actors' emotional responses. “Gridlock” offers a great visual presentation from the beginning, with an opening monologue shot in crisp black and white, transitioning into complimentary murky color. With a man bound and brought out to a field to learn more information, Floyd learns more about the fate of his brother and the man who chose to end his life.

His quest brings him to find a man known simply as “Sphinx”. Floyd Tanager, a paranoid individual, is seeking revenge for his murdered younger brother.